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E11 Modification

Belongs to versions:

Scope Note:

This class comprises instances of E7 Activity that are undertaken to create, alter or change instances of E24 Physical Human-Made Thing.

This class includes the production of an item from raw materials and other so far undocumented objects. It also includes the conservation treatment of an object.

Since the distinction between modification and production is not always clear, modification is regarded as the more generally applicable concept. This implies that some items may be consumed or destroyed in an instance of E11 Modification, and that others may be produced as a result of it. An event should also be documented using an instance of E81 Transformation if it results in the destruction of one or more objects and the simultaneous production of others using parts or material from the originals. In this case, the new items have separate identities.

An activity undertaken on an object which was designed to alter it, but which, in fact, it did not in any seemingly significant way (such as the application of a solvent during conservation which failed to dissolve any part of the object), is still considered as an instance of E11 Modification. Typically, any such activity will leave at least forensic traces of evidence on the object.

If the instance of E29 Design or Procedure utilized for the modification prescribes the use of specific materials, they should be documented using property P68 foresees use of (use foreseen by): E57 Material of E29 Design or Procedure, rather than via P126 employed (was employed in): E57 Material.

Examples:

the construction of the SS Great Britain (E12) (Gregor, 1971)
the impregnation of the Vasa warship in Stockholm for preservation after 1956 (Håfors, 2010)
the transformation of the Enola Gay into a museum exhibit by the National Air and Space Museum in Washington DC between 1993 and 1995 (E12, E81) (Yakel, 2000)
the last renewal of the gold coating of the Toshogu shrine in Nikko, Japan (Cali and Dougil, 2012)

E11 Modification

Belongs to versions:

Version 5.0.2

Scope Note:

This class comprises all instances of E7 Activity that create, alter or change E24 Physical Man-Made Thing.

This class includes the production of an item from raw materials, and other so far undocumented objects, and the preventive treatment or restoration of an object for conservation.

Since the distinction between modification and production is not always clear, modification is regarded as the more generally applicable concept. This implies that some items may be consumed or destroyed in a Modification, and that others may be produced as a result of it. An event should also be documented using E81 Transformation if it results in the destruction of one or more objects and the simultaneous production of others using parts or material from the originals. In this case, the new items have separate identities.

If the instance of the E29 Design or Procedure utilised for the modification prescribes the use of specific materials, they should be documented using properties of the design or procedure, rather than via P126 employed (was employed in): E57 Material.

Examples:

the construction of the SS Great Britain (E12)
the impregnation of the Vasa warship in Stockholm for preservation after 1956
the transformation of the Enola Gay into a museum exhibit by the National Air and Space Museum in Washington DC between 1993 and 1995 (E12, E81)
the last renewal of the gold coating of the Toshogu shrine in Nikko, Japan

E11 Modification

Belongs to versions:

Version 5.0.1

Scope Note:

This class comprises all instances of E7 Activity that create, alter or change E24 Physical Man-Made Thing.

This class includes the production of an item from raw materials, and other so far undocumented objects, and the preventive treatment or restoration of an object for conservation.

Since the distinction between modification and production is not always clear, modification is regarded as the more generally applicable concept. This implies that some items may be consumed or destroyed in a Modification, and that others may be produced as a result of it. An event should also be documented using E81 Transformation if it results in the destruction of one or more objects and the simultaneous production of others using parts or material from the originals. In this case, the new items have separate identities.

Examples:

the construction of the SS Great Britain (E12)
the impregnation of the Vasa warship in Stockholm for preservation after 1956
the transformation of the Enola Gay into a museum exhibit by the National Air and Space Museum in Washington DC between 1993 and 1995 (E12, E81)
the last renewal of the gold coating of the Toshogu shrine in Nikko, Japan

E11 Modification Event

Belongs to versions:

Version 4.1

Scope Note:

This class comprises all instances of E7 Activity that create, alter or change E24 Physical Man-Made Stuff.

This class includes the production of an item from raw materials, and other so far undocumented objects, and the preventive treatment or restoration of an object for conservation.

Since the distinction between modification and production is not always clear, modification is regarded as the more generally applicable concept. This implies that some items may be consumed or destroyed in a modification event, and that others may be produced as a result of it. An event should also be documented using E81 Transformation if it results in the destruction of one or more objects and the simultaneous production of others using parts or material from the originals. In this case, the new items have separate identities.

Examples:

the construction of the SS Great Britain (E12)
the impregnation of the Vasa warship in Stockholm for preservation after 1956
the transformation of the Enola Gay into a museum exhibit by the National Air and Space Museum in Washington DC between 1993 and 1995 (E12, E81)
the last renewal of the gold coating of the Toshogu shrine in Nikko, Japan

E12 Production

Belongs to versions:

Version 5.1.2

Scope Note:

This class comprises activities that are designed to, and succeed in, creating one or more new items.

It specializes the notion of modification into production. The decision as to whether or not an object is regarded as new is context sensitive. Normally, items are considered “new” if there is no obvious overall similarity between them and the consumed items and material used in their production. In other cases, an item is considered “new” because it becomes relevant to documentation by a modification. For example, the scribbling of a name on a potsherd may make it a voting token. The original potsherd may not be worth documenting, in contrast to the inscribed one.

This entity can be collective: the printing of a thousand books, for example, would normally be considered a single event.

An event should also be documented using E81 Transformation if it results in the destruction of one or more objects and the simultaneous production of others using parts or material from the originals. In this case, the new items have separate identities and matter is preserved, but identity is not.

Examples:

the construction of the SS Great Britain
the first casting of the Little Mermaid from the harbour of Copenhagen
Rembrandt’s creating of the seventh state of his etching “Woman sitting half dressed beside a stove”, 1658, identified by Bartsch Number 197 (E12,E65,E81)

E12 Production

Belongs to versions:

Version 6.0

Scope Note:

This class comprises activities that are designed to, and succeed in, creating one or more new items.

This entity can be collective: the printing of a thousand books, for example, would normally be considered a single event.

Examples:

the construction of the SS Great Britain
the first casting of the Little Mermaid from the harbour of Copenhagen
Rembrandt’s creating of the seventh state of his etching “Woman sitting half dressed beside a stove”, 1658, identified by Bartsch Number 197 (E12,E65,E81)

E12 Production

Belongs to versions:

Version 6.1

Scope Note:

This class comprises activities that are designed to, and succeed in, creating one or more new items.

This entity can be collective: the printing of a thousand books, for example, would normally be considered a single event.

Examples:

the construction of the SS Great Britain
the first casting of the Little Mermaid from the harbour of Copenhagen
Rembrandt’s creating of the seventh state of his etching “Woman sitting half dressed beside a stove”, 1658, identified by Bartsch Number 197 (E12,E65,E81)

E12 Production

Belongs to versions:

Version 6.2.1

Scope Note:

This class comprises activities that are designed to, and succeed in, creating one or more new items.

This entity can be collective: the printing of a thousand books, for example, would normally be considered a single event.

Examples:

the construction of the SS Great Britain
the first casting of the Little Mermaid from the harbour of Copenhagen
Rembrandt’s creating of the seventh state of his etching “Woman sitting half dressed beside a stove”, 1658, identified by Bartsch Number 197 (E12,E65,E81)

E12 Production

Belongs to versions:

Version 6.2

Scope Note:

This class comprises activities that are designed to, and succeed in, creating one or more new items.

This entity can be collective: the printing of a thousand books, for example, would normally be considered a single event.

Examples:

the construction of the SS Great Britain
the first casting of the Little Mermaid from the harbour of Copenhagen
Rembrandt’s creating of the seventh state of his etching “Woman sitting half dressed beside a stove”, 1658, identified by Bartsch Number 197 (E12,E65,E81)

E12 Production

Belongs to versions:

Version 6.2.2

Scope Note:

This class comprises activities that are designed to, and succeed in, creating one or more new items.

This entity can be collective: the printing of a thousand books, for example, would normally be considered a single event.

Examples:

the construction of the SS Great Britain
the first casting of the Little Mermaid from the harbour of Copenhagen
Rembrandt’s creating of the seventh state of his etching “Woman sitting half dressed beside a stove”, 1658, identified by Bartsch Number 197 (E12,E65,E81)

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